STUCK LIKE GLUE

TAG-INIT TODAY: Part 1 Blues: YUN FEELING NA BAOG NA BAOG KA NA SA BAHAY AT WALA KA NALANG MAGAWA KUNDI KAUSAPIN ANG TUMBLR.

Hayyyy summer nga naman. Most patapon time of the year. Mainit. Walang pera. Walang lakad. Walang magawa. WORST. KAIN TULOG plus watching crap tv LANG ANG INAATUPAG. Itatry magwork out, kasooo, tamad e. Baba ng motivation. WAHAHA. Hirap pa makatulog yun tipong sakit na ng ulo mo kakapilit mo matulog pero di ka lang talaga inaantok. At kung nagkataon pa na over achiever mga kaibigan mo na kahit summer ay nag-aaral pa rin at may kanya-kanyang pinagkakaabalahan, Walang  ka rin Lakad. Tinanong na nga ako ng Nanay, Ate, Kapatid. “BAKIT DI KA LUMALABAS?” Sagot ko naman, “San naman ho ako pupunta? At sino naman ho kasama ko?” Ganun talaga. Ganyan nalang parati ang summer ko. :( Ang gusto ko lang naman magsummer getaway with friends and family. Kaso ang labo mangyare. Hayyy :( :))) 

Okay so di naman sa walang wala ako ginagawa dito sa bahay. Naglilinis naman ako ng bahay everyday e, nagluluto pa kung kailangan, pero alam mo yun nasa sistema mo na lahat yun, at nakakainip pa rin habang ginagawa mo mga yun. Hayyyy mygaaaaaad. Sana kagad nalang ako nag-apply ng internship this summer. Pero kase, ngayon lang ako nakakauwi talaga dito sa probinsya namin. Aalis na naman ba ako. Gusto ko rin maappreciate dito, perooooo. Hayyy ewan. 

Well hindi naman sa reklamador ako. Wala lang kase ako makausap dito sa bahay. -_____- ikaw lang ba naman ang maiwan everyday sa bahay, lahat sila nagtatrabaho. Wala din naman ako matext para lang may makausap, sabi ko nga, may trabaho sila. Kaya ito na, tumblr nalang ang kausap ko. 

Sabi nga ng isa kong kabarkada na lalake, ganito daw talaga ang problema ng mga babae. “ANG PROBLEMA KASE WALA MASYADO GINAGAWA MGA BABAE”…. meaning parang sitting pretty all day lang daw, nail-polish marathon lang yun tipong one week palang sampung beses mo na pinalitan ng nailpolish mga kuko mo,tapos walking pretty lang daw sa mall and etc.” mygaaaaad. Di naman sa ganun talaga. Di naman pare-pareho mga babae e. Iba’t ibang babae sa iba’t ibang circumstances, at siguro nagkataon lang na ganito kapalaran ng buhay summer ko. Hay nako. Nakahinga din ako maluwag. =)))

Forgive me for this piece of shit. Wala pa talaga ako alam sa blogs. HAHAHA =))))

 

Posted 3 weeks ago
the-absolute-best-posts: this-is-not-victorian: gaietygirl: Let´s start with the facts: Corsets were a part of everyday Victorian life and they were considered underwear. Thus, they were worn under the dress and no one got to see them. In a time when bras did not yet exist, women needed something to support the upper body. Tada, the corset came along. Soon, tightlacing became a fashion fad: Ladies laced their corsets extra tight to make their waist look small in comparison to curvy hips and a big bosom. Here´s another secret: Victorians liked curvy women. A misconception is that back in the Victorian era everyone loved “fat” women. This is true to the extent that the ideal Victorian woman was “voluptuous”: She had a round face and round arms, big thighs and a big bosom, but also small feet and a tiny waist - achived by wearing a corset. In a lot of modern novels and movies Victorian women are portrayed as slender and tall - but this is only today´s beauty standard and it is a false portrayal. Victorian women may seem thin in old photographs but if you look closer you´ll notice that only their waists are thin. Therefore, the only authentic portrayal of a Victorian or Edwardian lady in a movie I have seen is Rose in Titanic. Back to the corsets. A Victorian woman would not just put on a corset, lace it to eighteen inches and be done with it. It´s not that easy. She would start by reducing her waist only a little bit and lace her corset tighter and tighter over the course of weeks and months. When the corset can´t be laced any tighter, she will have a new one made. Reducing the waist to the legendary eighteen inches of actress and Gibson Girl Camille Clifford (the girl in the white dress) would take a lot of time and it would probably hurt. Victorian girls started young: Some wore corsets when they were mere children, most started when they were about 14 to 16. Victorian diaries reveal that most girls loved their fashionable corsets but hated the pain they caused them. A lot of them even had night corsets that would not be laced as tight as day corsets. But even so, they wore corsets all the time, even at night. But once the waist was the desired size corsets would not hurt them anymore or even be uncomfortable to wear. But, and that´s another misconception, not all Victorian women tight-laced. Tight-lacers were soon regarded as fashion victims and considered silly. Though corsets were worn extra tight by the 1890s, not all women laced themselves to 18 inches like Miss Clifford did. And last but not least the biggest lie of all: There´s a rumour going around that some Victorian ladies had ribs removed to be able to lace their corsets even tighter. Should you come across this story, do not believe it. Back in the 1800s and early 1900s surgery was still very dangerous and the chance of dying was very high. No lady or surgeon would have risked death for a smaller waist. After all what is now considered a minor surgery (appendix removal) killed London´s stage Beauty Gaynor Rowlands (the girl in the black dress) when she was just 23. Fascinating information! This post has been featured on a 1000notes.com blog. the-absolute-best-posts: this-is-not-victorian: gaietygirl: Let´s start with the facts: Corsets were a part of everyday Victorian life and they were considered underwear. Thus, they were worn under the dress and no one got to see them. In a time when bras did not yet exist, women needed something to support the upper body. Tada, the corset came along. Soon, tightlacing became a fashion fad: Ladies laced their corsets extra tight to make their waist look small in comparison to curvy hips and a big bosom. Here´s another secret: Victorians liked curvy women. A misconception is that back in the Victorian era everyone loved “fat” women. This is true to the extent that the ideal Victorian woman was “voluptuous”: She had a round face and round arms, big thighs and a big bosom, but also small feet and a tiny waist - achived by wearing a corset. In a lot of modern novels and movies Victorian women are portrayed as slender and tall - but this is only today´s beauty standard and it is a false portrayal. Victorian women may seem thin in old photographs but if you look closer you´ll notice that only their waists are thin. Therefore, the only authentic portrayal of a Victorian or Edwardian lady in a movie I have seen is Rose in Titanic. Back to the corsets. A Victorian woman would not just put on a corset, lace it to eighteen inches and be done with it. It´s not that easy. She would start by reducing her waist only a little bit and lace her corset tighter and tighter over the course of weeks and months. When the corset can´t be laced any tighter, she will have a new one made. Reducing the waist to the legendary eighteen inches of actress and Gibson Girl Camille Clifford (the girl in the white dress) would take a lot of time and it would probably hurt. Victorian girls started young: Some wore corsets when they were mere children, most started when they were about 14 to 16. Victorian diaries reveal that most girls loved their fashionable corsets but hated the pain they caused them. A lot of them even had night corsets that would not be laced as tight as day corsets. But even so, they wore corsets all the time, even at night. But once the waist was the desired size corsets would not hurt them anymore or even be uncomfortable to wear. But, and that´s another misconception, not all Victorian women tight-laced. Tight-lacers were soon regarded as fashion victims and considered silly. Though corsets were worn extra tight by the 1890s, not all women laced themselves to 18 inches like Miss Clifford did. And last but not least the biggest lie of all: There´s a rumour going around that some Victorian ladies had ribs removed to be able to lace their corsets even tighter. Should you come across this story, do not believe it. Back in the 1800s and early 1900s surgery was still very dangerous and the chance of dying was very high. No lady or surgeon would have risked death for a smaller waist. After all what is now considered a minor surgery (appendix removal) killed London´s stage Beauty Gaynor Rowlands (the girl in the black dress) when she was just 23. Fascinating information! This post has been featured on a 1000notes.com blog. the-absolute-best-posts: this-is-not-victorian: gaietygirl: Let´s start with the facts: Corsets were a part of everyday Victorian life and they were considered underwear. Thus, they were worn under the dress and no one got to see them. In a time when bras did not yet exist, women needed something to support the upper body. Tada, the corset came along. Soon, tightlacing became a fashion fad: Ladies laced their corsets extra tight to make their waist look small in comparison to curvy hips and a big bosom. Here´s another secret: Victorians liked curvy women. A misconception is that back in the Victorian era everyone loved “fat” women. This is true to the extent that the ideal Victorian woman was “voluptuous”: She had a round face and round arms, big thighs and a big bosom, but also small feet and a tiny waist - achived by wearing a corset. In a lot of modern novels and movies Victorian women are portrayed as slender and tall - but this is only today´s beauty standard and it is a false portrayal. Victorian women may seem thin in old photographs but if you look closer you´ll notice that only their waists are thin. Therefore, the only authentic portrayal of a Victorian or Edwardian lady in a movie I have seen is Rose in Titanic. Back to the corsets. A Victorian woman would not just put on a corset, lace it to eighteen inches and be done with it. It´s not that easy. She would start by reducing her waist only a little bit and lace her corset tighter and tighter over the course of weeks and months. When the corset can´t be laced any tighter, she will have a new one made. Reducing the waist to the legendary eighteen inches of actress and Gibson Girl Camille Clifford (the girl in the white dress) would take a lot of time and it would probably hurt. Victorian girls started young: Some wore corsets when they were mere children, most started when they were about 14 to 16. Victorian diaries reveal that most girls loved their fashionable corsets but hated the pain they caused them. A lot of them even had night corsets that would not be laced as tight as day corsets. But even so, they wore corsets all the time, even at night. But once the waist was the desired size corsets would not hurt them anymore or even be uncomfortable to wear. But, and that´s another misconception, not all Victorian women tight-laced. Tight-lacers were soon regarded as fashion victims and considered silly. Though corsets were worn extra tight by the 1890s, not all women laced themselves to 18 inches like Miss Clifford did. And last but not least the biggest lie of all: There´s a rumour going around that some Victorian ladies had ribs removed to be able to lace their corsets even tighter. Should you come across this story, do not believe it. Back in the 1800s and early 1900s surgery was still very dangerous and the chance of dying was very high. No lady or surgeon would have risked death for a smaller waist. After all what is now considered a minor surgery (appendix removal) killed London´s stage Beauty Gaynor Rowlands (the girl in the black dress) when she was just 23. Fascinating information! This post has been featured on a 1000notes.com blog. the-absolute-best-posts: this-is-not-victorian: gaietygirl: Let´s start with the facts: Corsets were a part of everyday Victorian life and they were considered underwear. Thus, they were worn under the dress and no one got to see them. In a time when bras did not yet exist, women needed something to support the upper body. Tada, the corset came along. Soon, tightlacing became a fashion fad: Ladies laced their corsets extra tight to make their waist look small in comparison to curvy hips and a big bosom. Here´s another secret: Victorians liked curvy women. A misconception is that back in the Victorian era everyone loved “fat” women. This is true to the extent that the ideal Victorian woman was “voluptuous”: She had a round face and round arms, big thighs and a big bosom, but also small feet and a tiny waist - achived by wearing a corset. In a lot of modern novels and movies Victorian women are portrayed as slender and tall - but this is only today´s beauty standard and it is a false portrayal. Victorian women may seem thin in old photographs but if you look closer you´ll notice that only their waists are thin. Therefore, the only authentic portrayal of a Victorian or Edwardian lady in a movie I have seen is Rose in Titanic. Back to the corsets. A Victorian woman would not just put on a corset, lace it to eighteen inches and be done with it. It´s not that easy. She would start by reducing her waist only a little bit and lace her corset tighter and tighter over the course of weeks and months. When the corset can´t be laced any tighter, she will have a new one made. Reducing the waist to the legendary eighteen inches of actress and Gibson Girl Camille Clifford (the girl in the white dress) would take a lot of time and it would probably hurt. Victorian girls started young: Some wore corsets when they were mere children, most started when they were about 14 to 16. Victorian diaries reveal that most girls loved their fashionable corsets but hated the pain they caused them. A lot of them even had night corsets that would not be laced as tight as day corsets. But even so, they wore corsets all the time, even at night. But once the waist was the desired size corsets would not hurt them anymore or even be uncomfortable to wear. But, and that´s another misconception, not all Victorian women tight-laced. Tight-lacers were soon regarded as fashion victims and considered silly. Though corsets were worn extra tight by the 1890s, not all women laced themselves to 18 inches like Miss Clifford did. And last but not least the biggest lie of all: There´s a rumour going around that some Victorian ladies had ribs removed to be able to lace their corsets even tighter. Should you come across this story, do not believe it. Back in the 1800s and early 1900s surgery was still very dangerous and the chance of dying was very high. No lady or surgeon would have risked death for a smaller waist. After all what is now considered a minor surgery (appendix removal) killed London´s stage Beauty Gaynor Rowlands (the girl in the black dress) when she was just 23. Fascinating information! This post has been featured on a 1000notes.com blog. the-absolute-best-posts: this-is-not-victorian: gaietygirl: Let´s start with the facts: Corsets were a part of everyday Victorian life and they were considered underwear. Thus, they were worn under the dress and no one got to see them. In a time when bras did not yet exist, women needed something to support the upper body. Tada, the corset came along. Soon, tightlacing became a fashion fad: Ladies laced their corsets extra tight to make their waist look small in comparison to curvy hips and a big bosom. Here´s another secret: Victorians liked curvy women. A misconception is that back in the Victorian era everyone loved “fat” women. This is true to the extent that the ideal Victorian woman was “voluptuous”: She had a round face and round arms, big thighs and a big bosom, but also small feet and a tiny waist - achived by wearing a corset. In a lot of modern novels and movies Victorian women are portrayed as slender and tall - but this is only today´s beauty standard and it is a false portrayal. Victorian women may seem thin in old photographs but if you look closer you´ll notice that only their waists are thin. Therefore, the only authentic portrayal of a Victorian or Edwardian lady in a movie I have seen is Rose in Titanic. Back to the corsets. A Victorian woman would not just put on a corset, lace it to eighteen inches and be done with it. It´s not that easy. She would start by reducing her waist only a little bit and lace her corset tighter and tighter over the course of weeks and months. When the corset can´t be laced any tighter, she will have a new one made. Reducing the waist to the legendary eighteen inches of actress and Gibson Girl Camille Clifford (the girl in the white dress) would take a lot of time and it would probably hurt. Victorian girls started young: Some wore corsets when they were mere children, most started when they were about 14 to 16. Victorian diaries reveal that most girls loved their fashionable corsets but hated the pain they caused them. A lot of them even had night corsets that would not be laced as tight as day corsets. But even so, they wore corsets all the time, even at night. But once the waist was the desired size corsets would not hurt them anymore or even be uncomfortable to wear. But, and that´s another misconception, not all Victorian women tight-laced. Tight-lacers were soon regarded as fashion victims and considered silly. Though corsets were worn extra tight by the 1890s, not all women laced themselves to 18 inches like Miss Clifford did. And last but not least the biggest lie of all: There´s a rumour going around that some Victorian ladies had ribs removed to be able to lace their corsets even tighter. Should you come across this story, do not believe it. Back in the 1800s and early 1900s surgery was still very dangerous and the chance of dying was very high. No lady or surgeon would have risked death for a smaller waist. After all what is now considered a minor surgery (appendix removal) killed London´s stage Beauty Gaynor Rowlands (the girl in the black dress) when she was just 23. Fascinating information! This post has been featured on a 1000notes.com blog.

the-absolute-best-posts:

this-is-not-victorian:

gaietygirl:

Let´s start with the facts: Corsets were a part of everyday Victorian life and they were considered underwear. Thus, they were worn under the dress and no one got to see them. In a time when bras did not yet exist, women needed something to support the upper body. Tada, the corset came along. Soon, tightlacing became a fashion fad: Ladies laced their corsets extra tight to make their waist look small in comparison to curvy hips and a big bosom.

Here´s another secret: Victorians liked curvy women. A misconception is that back in the Victorian era everyone loved “fat” women. This is true to the extent that the ideal Victorian woman was “voluptuous”: She had a round face and round arms, big thighs and a big bosom, but also small feet and a tiny waist - achived by wearing a corset.

In a lot of modern novels and movies Victorian women are portrayed as slender and tall - but this is only today´s beauty standard and it is a false portrayal. Victorian women may seem thin in old photographs but if you look closer you´ll notice that only their waists are thin. Therefore, the only authentic portrayal of a Victorian or Edwardian lady in a movie I have seen is Rose in Titanic.

Back to the corsets. A Victorian woman would not just put on a corset, lace it to eighteen inches and be done with it. It´s not that easy. She would start by reducing her waist only a little bit and lace her corset tighter and tighter over the course of weeks and months. When the corset can´t be laced any tighter, she will have a new one made. Reducing the waist to the legendary eighteen inches of actress and Gibson Girl Camille Clifford (the girl in the white dress) would take a lot of time and it would probably hurt.

Victorian girls started young: Some wore corsets when they were mere children, most started when they were about 14 to 16. Victorian diaries reveal that most girls loved their fashionable corsets but hated the pain they caused them. A lot of them even had night corsets that would not be laced as tight as day corsets. But even so, they wore corsets all the time, even at night. But once the waist was the desired size corsets would not hurt them anymore or even be uncomfortable to wear.

But, and that´s another misconception, not all Victorian women tight-laced. Tight-lacers were soon regarded as fashion victims and considered silly. Though corsets were worn extra tight by the 1890s, not all women laced themselves to 18 inches like Miss Clifford did.

And last but not least the biggest lie of all: There´s a rumour going around that some Victorian ladies had ribs removed to be able to lace their corsets even tighter. Should you come across this story, do not believe it. Back in the 1800s and early 1900s surgery was still very dangerous and the chance of dying was very high. No lady or surgeon would have risked death for a smaller waist. After all what is now considered a minor surgery (appendix removal) killed London´s stage Beauty Gaynor Rowlands (the girl in the black dress) when she was just 23.

Fascinating information!

This post has been featured on a 1000notes.com blog.

Reblogged 3 weeks ago from the-absolute-best-posts (Originally from gaietygirl) 2,878 notes
z-x-y: Designing National Monument / Awaza Congress Center by Saraiva + Associados In words of the architects at Saraiva + Associados, the ambition was to design landmark building for Awaza Congress Center in Turkmenistan, not only as a national monument, but an icon that would be recognized internationally. Its monumental form is derived from a strong symbolic concept which reflects patriotic and cultural values of the country. Transmitting internal organization of Turkmenistan, the volume of the building is broken into five larger groups of spaces, materializing five provinces and forming a Congress Hall as a whole. Five elements are Circulation element, Auditorium element, Events, Business and Square element. National motifs in interiors and dominant green color tone – color of Turkmenistan flag reflect patriotic aims. z-x-y: Designing National Monument / Awaza Congress Center by Saraiva + Associados In words of the architects at Saraiva + Associados, the ambition was to design landmark building for Awaza Congress Center in Turkmenistan, not only as a national monument, but an icon that would be recognized internationally. Its monumental form is derived from a strong symbolic concept which reflects patriotic and cultural values of the country. Transmitting internal organization of Turkmenistan, the volume of the building is broken into five larger groups of spaces, materializing five provinces and forming a Congress Hall as a whole. Five elements are Circulation element, Auditorium element, Events, Business and Square element. National motifs in interiors and dominant green color tone – color of Turkmenistan flag reflect patriotic aims. z-x-y: Designing National Monument / Awaza Congress Center by Saraiva + Associados In words of the architects at Saraiva + Associados, the ambition was to design landmark building for Awaza Congress Center in Turkmenistan, not only as a national monument, but an icon that would be recognized internationally. Its monumental form is derived from a strong symbolic concept which reflects patriotic and cultural values of the country. Transmitting internal organization of Turkmenistan, the volume of the building is broken into five larger groups of spaces, materializing five provinces and forming a Congress Hall as a whole. Five elements are Circulation element, Auditorium element, Events, Business and Square element. National motifs in interiors and dominant green color tone – color of Turkmenistan flag reflect patriotic aims. z-x-y: Designing National Monument / Awaza Congress Center by Saraiva + Associados In words of the architects at Saraiva + Associados, the ambition was to design landmark building for Awaza Congress Center in Turkmenistan, not only as a national monument, but an icon that would be recognized internationally. Its monumental form is derived from a strong symbolic concept which reflects patriotic and cultural values of the country. Transmitting internal organization of Turkmenistan, the volume of the building is broken into five larger groups of spaces, materializing five provinces and forming a Congress Hall as a whole. Five elements are Circulation element, Auditorium element, Events, Business and Square element. National motifs in interiors and dominant green color tone – color of Turkmenistan flag reflect patriotic aims.

z-x-y:

Designing National Monument / Awaza Congress Center by Saraiva + Associados

In words of the architects at Saraiva + Associados, the ambition was to design landmark building for Awaza Congress Center in Turkmenistan, not only as a national monument, but an icon that would be recognized internationally. Its monumental form is derived from a strong symbolic concept which reflects patriotic and cultural values of the country. Transmitting internal organization of Turkmenistan, the volume of the building is broken into five larger groups of spaces, materializing five provinces and forming a Congress Hall as a whole. Five elements are Circulation element, Auditorium element, Events, Business and Square element. National motifs in interiors and dominant green color tone – color of Turkmenistan flag reflect patriotic aims.

Reblogged 1 month ago from z-x-y 843 notes
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